Maria Callas: Book me a table at a bar where the waiters know who I am
Tale
Maria Callas, the world’s greatest opera singer, lives out her final days in 1970s Paris as she grapples with her identity and her life. Angelina Jolie and director Pablo Larraín discuss how they’re approaching the heartbreaking true story of the famous opera singer Maria Callas.. The third and final film in Pablo Larraín’s so-called “Lady in Heels” trilogy of female biopics, following Jackie (2016) and Spencer (2021)..
I’m in the mood to be singled out
Quoted in Close-Up: Why Do We Need the Venice Film Festival? (2024). Otello Act 4: “Ave Maria” (Desdemona) Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire Conductor: Nicola Rescigno Written by Giuseppe Verdi, Arrigo Boito Released by Warner Classics, (p) 1964 Parlophone Records Limited Remastered 2014 Parlophone Records Limited Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group company.
This film is emotionally and movingly made, captivating me from the very first scene
Jolie’s performance is simply exceptional and I firmly believe she deserves an Oscar nomination. Her performance is subtle and nuanced, giving the best female performance I have seen this year. The sets are simply breathtaking and the acting is superb, even that of the canine companions.
This film is well worth seeing and will undoubtedly move you
The rain scene is particularly cinematic, capturing the essence of the drama and emotion to the best of its ability. I highly recommend this film to anyone who loves opera or is simply looking for a thought-provoking and emotional experience. It’s a beautiful narrative that explores the final days of a diva’s life as she struggles with monotony and yearns for a past that can never be regained.
Check out our December calendar for more!
“One Hundred Years of Solitude” is one of the biggest TV and streaming premieres this month.